Traditional Lithuanian folk
    sculpture: from the collections 
    of Lithuanian Art Museum
    From 
LIAUDIES
    KULTURA. 1995 m. No. 1
    
      Akvile Mikenaite
    
    Traditional Lithuanian folk sculpture called small idols,
    statuettes  is a branch of the visual arts and takes
    an important place in Lithuanian folk art. It was widely spread in Lithuania
    in the nineteenth  century
    and in the beginning of the twentieth century. It remained
    up to now in Zemaitija (Samogitia) upon a large scale. The oldest examples
    of the sculpture are known from the end of the eighteenth century and the
    beginning of the nineteenth century. There are two different approaches as
    far as the origin of Lithuanian folk sculpture is concerned. Some
    investigators think that there had not been any gods in the form of idols
    worshiped by Lithuanians. Thus, folk sculpture is the
    result of Christianity. The opposite opinion is that Lithuanian folk
    sculpture is the result of paganism. P. Galaune and M. Vorobjovas were the
    first who evaluated statuettes as works of art. The choise of shrine
    makers' themes was set by historical conditions. Christian iconography was
    understood by a folk artist in his own way and it was interpreted according
    to his own perception, thinking and experiences. The culture inherited from
    our ancestors is related to the transformations of Christianity. The themes
    chosen were close to peasents' life and their experiences. Special attention
    was paid to the worship of Christ and St. Maria in Lithuania. St. John
    Nepomucene, St. John Chrysostom, St. Isidore, St. George, St. Casimir, St.
    Francis, Si Roch, St. Agatha, St. Catherine and others spread over all
    Lithuania. The theme of the mourning Christ (Rupintojelis) was wery close to
    Lithuania. Traditional Lithuanian folk sculpture is the top of Lithuanian
    shrine makers' creative work.
century
    and in the beginning of the twentieth century. It remained
    up to now in Zemaitija (Samogitia) upon a large scale. The oldest examples
    of the sculpture are known from the end of the eighteenth century and the
    beginning of the nineteenth century. There are two different approaches as
    far as the origin of Lithuanian folk sculpture is concerned. Some
    investigators think that there had not been any gods in the form of idols
    worshiped by Lithuanians. Thus, folk sculpture is the
    result of Christianity. The opposite opinion is that Lithuanian folk
    sculpture is the result of paganism. P. Galaune and M. Vorobjovas were the
    first who evaluated statuettes as works of art. The choise of shrine
    makers' themes was set by historical conditions. Christian iconography was
    understood by a folk artist in his own way and it was interpreted according
    to his own perception, thinking and experiences. The culture inherited from
    our ancestors is related to the transformations of Christianity. The themes
    chosen were close to peasents' life and their experiences. Special attention
    was paid to the worship of Christ and St. Maria in Lithuania. St. John
    Nepomucene, St. John Chrysostom, St. Isidore, St. George, St. Casimir, St.
    Francis, Si Roch, St. Agatha, St. Catherine and others spread over all
    Lithuania. The theme of the mourning Christ (Rupintojelis) was wery close to
    Lithuania. Traditional Lithuanian folk sculpture is the top of Lithuanian
    shrine makers' creative work.